REVIEW - Handbagged is sharp and funny - engaging from start to finish

On Tuesday, we were invited to Lowry, Salford to see Handbagged. Read what our reviewer, Lizzie Johnston thought about this amusing play...

I have to admit that my knowledge of 80s politics is pretty limited - I know the basics and I’ve watched The Crown - so I could turn up to watch Handbagged with a slight idea of what the famously complex relationship between Queen Elizabeth II and Margaret Thatcher would be like. A political satire is bound to get the audience laughing, especially when it involves such iconic figures, and I was intrigued to see how this play would handle the characters and balance the drama with humour.

Handbagged by Moira Buffini imagines the behind-the-scenes dynamics between two of Britain’s most powerful women - Queen Elizabeth II and Margaret Thatcher. The play takes us through key moments of their relationship in the 1980s, presenting a humorous, fictionalised version of how these two women may have clashed, conversed, and possibly even respected each other behind closed doors. The story starts with Thatcher’s rise to power and moves through their tense, often funny encounters. Thatcher, brash and unyielding, and the Queen, composed but no stranger to tough decisions, form the heart of the drama. It’s a sharp exploration of power, politics, and personal dynamics, with a fair dose of humor to balance the serious themes. Though don’t be fooled, this play is a comedy at its heart. 

What stood out to me during the performance was the pacing as everything moved so quickly, which kept the energy high throughout. This would be due to the casting and decision to have two forms of each woman, a younger and older version. The younger version of the duo were straight from the 80s, reenacting the conversations and moments from the time. Whereas the older versions watched from the outside and reflected upon these key points, often sharing comments of what they really thought at that time. 

There were moments of particularly biting exchanges, especially when it came to the serious topics that dominated the 80s news like tax and the miner’s strike. These moments of conflict gave the play deep political insight which contrasted nicely to the sharp humour.

The cast were fantastic, expertly bringing the iconic figures of Queen Elizabeth II and Margaret Thatcher to life without ever slipping into outright parody. Each actor took care to capture the essence of their character, making them instantly recognisable but also deeply human. Sarah Moyle and Helen Reuban, who both played the role of the Queen, had a natural regal presence that was impossible to ignore. From their poised postures to their sharp accents, they managed to evoke the Queen’s grace and dry wit. Whether in dialogue or simply standing still, they fully embodied the Queen's composed authority and subtle sense of humour, making it easy for the audience to distinguish them as the monarch, even without the iconic dress or crown.

On the flip side, Morag Cross and Emma Ernest, who portrayed Margaret Thatcher, nailed the fiery intensity and resolute coldness for which the Iron Lady is famous. Both actresses gave Thatcher a powerful blend of charm and determination, showing the toughness that defined her leadership. Thatcher's complex nature was brought to life brilliantly, with each actor exploring the hard political exterior and the softer, more human moments. Cross and Ernest brought a perfect tension to the stage in their interactions with the Queen, which never felt forced. Instead, their exchanges reflected the underlying power struggle and mutual respect between the two women. The dynamic between the Queen and Thatcher was one of sharp political rivalry, yet also of two powerful women coming to terms with the role they played in shaping history.

The set design was simple but effective. A platform in the centre and a giant pound coin with the Queen’s side profile hanging about it. The play focused on the characterisation and the fast pace between stories, which the minimal set allowed it to do. It was props and costumes that brought any particular locations to life - think headscarves at Balmoral and their iconic handbags throughout. The outfits were straight from the 80s too with power suits and bold colours. 

The atmosphere in the theatre was also worth mentioning. The audience seemed to be completely engrossed in the action, hanging on every witty line and moment of tension. It’s always refreshing when you can feel that collective energy in the room, and Handbagged did an excellent job of keeping everyone engaged, from political enthusiasts to casual theatre-goers.

Handbagged is a sharp, funny, and insightful look at two of the most iconic figures in British politics. It mixes humor with political commentary, making it both entertaining and thought-provoking. Whether you’re a history buff or just someone who enjoys clever writing and strong performances, this is a play for you. The cast is great, the writing is brilliant, and the production is engaging from start to finish. Go for the laughs, stay for the moments that will make you think about the nature of power, politics, and the women who shaped modern Britain.

WE SCORE HANDBAGGED...



Handbagged is on at Lowry, Salford until Saturday 22nd March 2025


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